Producing music isn’t what it used to be just a couple of decades ago. No longer are we limited to a whole bunch of large, heavy analog equipment and specialized music production studios. These days you can do a lot of the same work from your own laptop. That being said, a laptop that is adequate for serious music production needs to meet several requirements. Two of the most important aspects are by far the CPU power and the amount of RAM you have at your disposal. Everything else comes more or less as secondary. Since the laptop market is rather extensive, we have done the footwork for you and selected the best laptops for music production you can find at the moment. With that said, let’s dig right in!
Moog has announced free software update to Moog Minitaur synth:
The new Minitaur v2.2 update expands this powerful analog bass synthesizer with a host of new performance elements and user requested features, including front-panel access to new LFO wave-shapes, oscillator hard-sync and much more–and Minitaur’s new Librarian/Editor Software makes DAW integration seamless between your synthesizer and Mac or Windows machine.
Roland is about to release two new boutique models: TR-08 – boutique format model of original TR-808 with some additional features (compressor and new sequencer features).
New SH-101 model called SH-01A is based on software emulation previously available as the Plug-out for System-1 and VST3 VA synth. Comparing to original SH-101, new boutique model features unison, 4-voice polyphony, CV-enabled sequencer and of course complete MIDI support (via MIDI and USB).
It is no secret that guitar effects pedals have completely changed the way we see music today. The impact this instrument made on music is obvious.
However, these effects pedals are not only limited to guitars.
On the contrary, they can be used with a variety of different instruments, including synths and keyboards. As long as your instrument uses a 1/4 inch TRS cable, chances are that an effects pedal will work just fine.
The reasons to use these pedals with synths or even keyboards are numerous.
Analog synths don’t come packed with a wide array of effects like their modern counterparts do.
If live performance is important, you will have to add all of your effects there on the spot.
With that in mind, we wanted to find out what are the best guitar pedals for synths and keyboards you can get right now. As you are about to see, options are plentiful.
For a summarized version, check out the table below:
For a quick demo of this pedal, check out the video below:
MXR M101 Phase 90
Here’s a complete change of pace.
From a high dollar legend to an affordable orange stompbox.
MXR’s Phase 90 used to be one of the best, if not the best phaser pedal available at the time.
The instrument’s simple analog circuitry made it a reliable piece of gear that many guitar players use to this day. As such, it wasn’t long before Phase 90 found its application with keyboards and synths.
It essentially brought that vintage, organic sounding phase effect to a largely digitized world of keyboards.
Easy to use and very competitively priced, MXR M101 Phase 90 is one of those effects pedals that you can get without feeling the impact on your bank account.
With that said, it is also the type of pedal that can completely change the dynamic of your tone, whether you are using a keyboard or a synth.
They have been allowing guitar players to enrich various sections of their music with girth and range.
One of the best pedals of this type that works with keyboards and synths is the Electro-Harmonix POG2. One quick look at the control panel and you immediately know what you are dealing with here. It’s no ordinary octave pedal, that’s for sure.
This one comes with an FX section as well.
In terms of pure performance, you are looking at the range of two octaves above and below the nominal value.
Effects available come in form of an attack control, a two-pole resonant LP filter and an enhanced detune. Pushing the functionality even further, Electro-Harmonix designed this pedal in a way that allows you to save presets for later use.
Have a look at the POG2 in action:
POG2 is among the most rugged and natural sounding octave pedals out there, definitely the one you’d want to use with a keyboard.
Up next, we have another great creation from Electro-Harmonix. This time around we are looking at their legendary Lester G.
Why is it legendary?
Because this is one of the best rotary speaker emulators on the market right now. Leslie rotary speakers are a pretty niche piece of gear that was used extensively only a few decades ago.
These days it is considered an exotic. Since using the original version of this device meant that you had to get a clunky, cabinet sized speaker itself, another solution had to be devised. Electro-Harmonix is one of the few companies to even attempt to recreate this effect in a digital pedal.
Unlike most of its competition, Lester G brings you the absolute control over the effect it offers.
You can dial in everything from acceleration to sustain. Even though it was designed to be used in a guitar signal chain, keyboard and synth applications are too good to be ignored. Especially considering that it comes with both stereo and mono I/O options.
Elektron is well-known for any electronic musician or keyboard player for their synths (A4 and Analog Keys), drum machines and one of the best samplers (Octatrack). But they also have one pedal called Analog Drive.
It was remade from the Analog Heat desktop device (filter/saturator), and it has 8 different analog saturation circuits. From subtle saturation to crazy distortion – this pedal is a must-have for keyboard/synth players.
Last but not least, let’s talk dirt. Overdrives are not the type of effect that you often see used with synths or keyboard.
However, a good vintage OD pedal can really add some grit to your tone.
Fulltone OCD comes to mind as the perfect candidate. T
his thing was designed to bring the tube sound in a compact package, and boy does it deliver. It also meets one of the more important requirements for overdrive pedals used with a synth, and that is tone control.
OCD allows you to be as subtle or as aggressive as you need to, without completely drowning your signal. It infuses the tone with sweet sounding dirt while retaining definition.
Elektron has introduced its new version of Octatrack sampler. As a happy owner of original I have not seen many of the features that I would expect in a new version CV in/outs, Overbridge support, new effects/more effect options per track… From the specifications point of it looks like Octatrack with slightly different knobs and better screen. Which might be good news for MK I owners as those features would barely convince anyone to upgrade for a high price of $1349.
Roli has introduced 2 new blocks to its line of modular controllers called blocks.
First and most impressive is Seaboard block which looks like a small copy of Seaboard Rise controller. It is larger than previous blocks – its size is slightly bigger than Apple wireless keyboard. But it is still small to take with your laptop.
block is called Touch and it gives you additional control over Roli’s Seaboard and Lightpad controllers (ex. Octave switch).
FL Studio 12.4 brought an update to Maschine Jam support.
Apart from playing notes with 8×8 grid and FPC notes with 4×4 “maschine-like” grid it now allows to sequence your drums directly from Maschine Jam. And it integrates really nicely – you can switch instruments, patterns, change pattern length (automatically while you’re adding notes) and tap tempo.
And of course 8 touch faders are assignable to any parameters (actually there are 8 banks of 8 faders so you can link up to 64 parameters to control).
When Native Instruments launched Maschine Jam they provided out-of-the box integration with Maschine and Ableton Live (Ableton integration of sequencing drums with 16-levels of velocity even is not available for Maschine). And now after FL Studio supported Maschine Jam sequencing features it can really became standard MIDI-controller for most of the DAWs. And it is one more reason to get Maschine Jam.