Today Softube introduced two new modules to their official emulation of Eurorack system - Softube Modular.
I'm personally very excited with the addition of Braids as it adds many new sound possibilities to the already comprehensive package of oscillators.
What is Mutable Instruments Braids?
Mutable Instruments call it a macro oscillator, but even that is an understatement. It’s a hugely sophisticated digital synthesis engine, able to produce and manipulate complex sounds – classic waves from vintage synths, bells, resonant filters, plucked and bowed strings, vocals and vowel/formant sounds, wind instruments, percussion, noise, granular clouds and more – by means of 45 or so fully-realized algorithms, featuring multiple oscillators, wavetables, filters, VCAs, ring modulators, and so on under the hood.
Second module that was added is Doepfer A-188-1 BBD
Before digital delays became the cheapest and most versatile option in the late 70s and early 80s, echo effects in recorded or live music were achieved by a variety of creative analog means. Short tape loops with adjustable playback heads, or variable speeds, were favoured for a while, despite the downside of needing to replace the tape now and again. Designs featuring magnetic drums or discs aimed to solve that issue, but never dominated the market.
Solid state designs enjoyed a brief but fruitful period of vogue in the mid-to-late seventies. These devices, featuring long chains of voltage sampling ‘buckets’ controlled and released in time by a high speed oscillator, lent their unique characteristics not only to electronic, techno, and emergent dance styles, but to guitar rigs the world over.
By passing the signal along a line of capacitors, the sound is delayed in time, but also degraded with high-frequency loss and additional noise (as well as noticeable sample-rate reduction and aliasing at high delay times). This creates a warm and dirty sound, much sought after at the time, and still loved as a creative effect despite the practical disadvantages a BBD unit has compared to more versatile, cleaner digital delays.
Not only can this kind of delay produce tight slapbacks, grungey echoes, and smokey ambience, but by exploiting high feedback and very short delay times Karplus-Strong style plucked string synthesis is also possible.
The length of the delay line – the number of buckets in the brigade – has a significant effect on the sound and capabilities of the effect. The hardware module is available in six versions, each featuring a different number of stages (128, 256, 512, 1024, 2048, and 4096). But our software version contains all six, and can switch between them with one click.