Category Archives: DAWs

Best Plugins for Logic Pro X

Logic Pro X comes with a lot of different amazing stock plugins. You can create a hit record with everything that comes by default.

For music production or for mixing vocals, you can do it all using an array of well crafted plugins that will help you define your sound like the pros.

Sample delay:

This is a plugin that a lot of people overlook including myself until recently, you can slap this bad boy on any sound you’d like to be panned differently and to sit a little wider in the mix.

You can either choose to have a delay on the right or on the left. This doesn’t work too good with instruments that are typically known to hit directly in the middle (Kicks, snares for example) but it works wonders on FX like risers.

It helps give life to instruments or voices.

You can also use them on open hats and percussion as well.

I recommend trying it out and seeing how it influences your mix and finding how it fits perfectly to your taste. It’s very easy to use, only has two knobs and the job is done very quick. Great simple interface to work with on this plugin.

Bit crusher:

This plugin is fantastic for adding a bit of distortion to anything you’d like. I personally like to use it on kicks and snares to add a little grit. What’s important to keep in mind is that less is more. Always.

Play around with the mix knob as it will become your best friend to achieve the best results possible to have a powerful sound but that doesn’t sound too distorted either.

Try adjusting the down sampling along with the resolution to find the best balance to enhance your sound.

Rather simple plugin to use as well and quick to get what you need out of it.

Channel EQ:

The default EQ that comes with logic has a very transparent sound, is incredibly easy to get by on, and is visually engaging.

It’s a go to for easy adjustments on any track.

What makes this EQ special is it’s simplicity and visually appealing look. It demands very low CPU usage and therefore makes it a favourite for applying in whichever situation.

Pitch Correction:

Logic comes with it’s own built in Pitch Correction, also known as Autotune.

It’s very easy to use and only requires to adjust two knobs, one to put in the key of the song, the other is to adjust the power of the autotune applied.

It can achieve great results and can sound very robotic if needed.

Stereo delay:


This is a plugin I use just about in every mix. From vocals to transitions to hi hats, it works literally everywhere.

What’s amazing about this plugin is that you get to adjust each side individually to generate very interesting rhythms that compliment each other.

By default the left side comes at 1/4 and the right side is at 1/8. I tend to leave it as it and play with the feedback to fit my taste for that particular track.

You can play around with this plugin on hi hats to make intricate patterns that make tracks very bouncy. To make this plugin even better, the creators made sure to include a built in filter for each side.

So you get to filter high or low frequencies left and right and really craft a sound that is unique. One of my favorite stock plugins by far.

Tremolo:

The tremolo is another interesting plugin that can be used for many different situations. It works well to add movement in a song.

It pans the sound left and right continuously, and can be very fluid or extremely rapid, depending on the speed.

Putting a tremolo on instruments help it stand out in the mix, and always be in motion.

Exciter:

The exciter is another tool that comes with Logic Pro’s arsenal that can be used virtually anywhere.

This plugin can enhance pleasant harmonics or if needed more prominent distortion, but when used in little amounts it can tremendously boost a whole track.

This plugin works well in the mixing stage as well when wanting to add some extra harmonics on a master bus.

You can use it on a piano to give a little more grit and power, it works very well with guitars as well. It can be applied on vocals as well to make them stand out more in a mix.

Apple and Ableton Offer 90 Day Free Trial for Logic Pro X and Ableton 10 Live

In yet another act of kindness in the music production industry, Apple and Ableton have made their flagship music production suites available for free for 90 days!


At a time where most of us are stuck at home, this is a great opportunity to take the plunge into the higher end of DAWs.

Retailing at 199.99$ (Logic Pro X) and at 750$ (Ableton 10 Live), these are truly unbelievable offers, though they won’t last forever. So beware, if you get hooked on one of these, you might end up having to pay the full price.

In any case, you only live once, so why not enjoy these freebies while they last.

Here are the links:

Apple’s Logic Pro X

Ableton 10 Live

Best Online Beat Maker- Reviewed and Compared

It’s really mindblowing when you think of all the things that we have at disposal today.

Whether you’re a beginner, intermediate, or a full-blown pro, there are so many resources and different tools that you can use in creating your own original music.

In fact, we kind of take it for granted in some way, not always realising how great we have it now compared to musicians from a few decades ago.

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Whether you want to record your instruments and vocals, or whether you want to make electronic music – it’s all possible even with a decent home studio setting.

But the topic of todays article is online beat makers.

It turns out that you don’t even need to bother too much with combining a bunch of random plugins in your DAW in order to do stuff.

You can just use one of the online beat makers and create anything for electronic music, hip-hop, or anything that your heart desires.

So let’s get into it – what are the best online beatmakers?

We’ve done some digging and have come up with this list. Any of these beat makers work well for most of the electronic or hip-hop music settings you need.

#1- LoopLabs

While it’s mostly hip-hop oriented, LoopLabs provides a great platform for basically any type of music.

But the best part about it is that it’s beginner-friendly, while also retaining some of the really important and very complex features which make it useful for full-blown professionals.

This online music studio has an abundance of different royalty-free sounds. There’s anything for electronic, hip-hop, and music, and even genres like jazz, funk, and many others.

It features tens of thousands of samples, and the sound library is constantly growing.

In case you’re a vocalist, this is pretty much like a dream come true.

You can easily record your voice over any beat in an instant.

It’s also possible to remix already added tracks, or even record any of your parts over them. LoopLabs is a very useful online music-making collaborative tool.

#2- Splice Beat Maker

Splice is essentially like a large GitHub for musicians.

It’s based on collaborative projects and a vast library of DAWs and different plugins.

However, one of its greatest features is the Splice Beat Maker.

The great thing about this one is that it’s really easy to use. The interface is very intuitive and really easy to figure out.

Once again, we have collaborative projects and a whole bunch of different options for any music genre you need.

Just add your tracks, instruments, and start laying out beats.

Note: you can check out our review of splice sounds here.

When you’re done, you can download your track either as MIDI or Toraiz SP-16 files.

#3- Mixxx

Although it can come in handy for various different settings, Mixxx is mostly intended for DJs.

In fact, it’s pretty much a collection of tools that a DJ would need for their live sets.

Once again, like with many of the great online beat-making software, it’s easy to use and can come in handy for both pros and beginners.

It features the classic key and BPM detection with the possibility to sync different tracks when they’re played together.

There’s also an integrated DJ control support with already mapped out controls.

Aside from these and an abundance of effects, there’s also integrated vinyl record control.

The whole thing is rounded up with their community and great support that you can get for any problems that might occur along the way.

#4- Dumb.com

According to their own words, Dumb.com is a “source for dumb stuff.” Anything from fun harmless activities and jokes, up to a few different types of beatmakers.

It’s pretty obvious that with a website like this one you won’t really get a professional beatmaker.

But this is still a fun little addition to their website and there are seven different types that you can use on your computer, as well as an additional one for iPhone.

It’s available through a browser and works as a flash plugin.

#5- Drumbot

Drumbot is a service with multiple tools for musicians.

You can find some great effects, sequencers, a tuner, and, of course, a virtual drummer.

This beatmaker is also a flash plugin that you can use to create drum beats for any type of music you need. It comes as a perfect solution for those who want to jam out without a drummer.

It’s really straightforward, making it very simple to use. The controls for it are also laid out on the keyboard.

But you can’t expect much of it. Similar to the one on Dumb.com, it’s more of a helpful addition for any jam session rather than a serious software.

#6- Soundtrap

While not that flashy or designed for pros, Soundtrap provides a very simple interface for multi-track projects.

It’s designed for a wide variety of genres and even features guitar amp simulations and AutoTune.

Among these features, we can also find their Patterns Beatmaker.

It also comes with a great deal of pre-made beats and presets that you can use or further edit.

#7- CreateRaps

Here we have a very useful piece of software that you can use without any downloading.

As the name CreateRaps suggests, it’s mostly intended for rap music and rap beats.

How it works is that you choose any of the royalty-free premade beats, record your rapping over it, and download the file. That’s basically it!

Obviously, this is not something a professional would use, but it’s rather a beginner’s tool for making any rap and hip-hop tracks on the go. It’s fairly simple and all you need is a simple microphone and near-zero latency operation.

Minimal System Group Dreamscape Review

Whatever is the instrument that you play, whether you sing, or whether you prefer to make synths and other virtual instruments in your DAW – you can’t make music with a completely dry sound.

Well, you technically can, and nobody is stopping you, but there’s hardly any chance you’ll make it sound appealing and enjoyable.

This is why the use of atmospheric effects has been an important part of every mix since way back in the 1950s. To this day, musicians of any genre are still using delay and reverb effects to give that new dimension and feel of “spaciousness” to whatever they’re making.

But these effects became more complex as time went by. For instance, any type of a reverb – whether it’s a rack-mounted unit or a pedal – had more features and parameter controls that would add a different “flavor” in real-time or to recorded audio tracks. Eventually, we got an abundance of great plugins that would serve this purpose, mostly in the studio for recording and mixing.

There’s one particular reverb plugin that we’re interested in here, and it’s called DreamScape.

Check out Full Specs

This plugin was conceived, designed, and created by a company called Minimal Systems Group. Featuring some very detailed and advanced control, this plugin was released back in 2013 and is still in use today.

The idea with such a plugin was to decrease the CPU usage and bring more of that analog “warmth” in the output, which is something that’s becoming increasingly popular these days.

Since there are plenty of interesting features in this one, we decided to look into DreamScape and examine it closer.

So if you’re looking for a new reverb plugin for your own work, or are generally interested in reverbs, come right in and check this one out.

Features

It does not take more than a glance at it to realise that DreamScape is a plugin with very detailed parameter controls.

It’s intended as a fully custom effect with its special atmosphere generator.

There are some pretty unusual analog modelling characteristic controls on it, intended for making those rich and lush atmospherics effects. Everything is enhanced with the company’s specially designed reflection algorithm.

For the purpose of creating detailed effects, the DreamScape plugin is divided into two main sections. We have the added filter and modulation section, in addition to the main part of the plugin dedicated to basic and advanced reverb parameter controls.

In the main part, we can find a total of 12 virtual knobs and four virtual switches on it.

First off, we have the essential reverb parameters, like pre-delay, reflections, room size, and the inevitable mix/blend control.

Now, there are a few other interesting parameters here, concerning the room shapes and dimensions. For instance, there are two knobs labeled as “low floor” and “high ceiling” that further help shape the room feel.

In addition, we can also find other advanced controls, like the amplitude curve, time curve, as well as reverb start and reverb stop. And since this is a stereo reverb plugin, there’s a control determining the stereo “width” of the effect.

The filter and modulation section gives some interesting controls, as well as the possibility to tweak left and right channels individually.

This section can add somewhat of an “unconventional” tone to the standard reverb. You’ll be able to get some experimental and even synth-like tones using this section.

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Performance

Overall, the DreamScape reverb plugin gives an abundance of options. You can use it for pretty much any instrument or vocal track.

In addition, you can use it with or without the filter/modulation section. The graphic interface is pretty intuitive and easy to get by with, so there’s hardly any chance that you’ll have issues with using the plugin.

As promised by Minimal System Group, the plugin does indeed have a low CPU usage.

However, there’s a huge drawback with the fact that this is a 32-bit plugin. You can use it on a 64-bit system, but you’ll need to use the jBridge software in order to make it work. Not exactly the most practical solution for just another reverb plugin.

While the reverb itself can be used in some conventional ways, any additional advanced parameter tweaking goes into experimental territories.

For an average producer, this will be a huge letdown, as the resulting tones are something that would be appealing to those who love meddling with weird and unusual reverbs and feedbacks.

Like we already mentioned, using the filter and modulation section, you get some vintage synth-oriented overtones. And, to be perfectly honest, this can be somewhat annoying. We’d rather have a lush and spacious reverb, rather than an experimental platform for wacky sounds that have no practical value in modern music.

Conclusion

To put it simply, DreamScape is a good reverb that won’t break your wallet.

It scores well in terms of versatility, and its intuitive design, as well as the experimental-friendly environment, deserve a nod. It’s a good entry level reverb with some advanced features and a good price. On occasion, you’ll be able to find some super cheap deals on it, going well below the $10 mark.

We have a very low CPU usage, which is all great. The intuitive graphic interface and easy-to-use controls are something that everyone loves.

If you want a serious advanced level spacious and lush reverb plugin, we’d rather advise you go with something else. In case you feel experimental and would really love to play around with a few unusual analog-like reverb presets, then wait for the price to drop and get DreamSpace.

How to Make FL Studio Run Faster

FL Studio is, without any doubt, one of the best digital audio workstations that you can use for the recording of pretty much any genre of music.

Of course, it’s especially known for its compatibility with various plugins for different synths and effects, making it one of the best options for electronic music.

Developed by the Belgian company Image-Line Software and released originally as Fruity Loops back in 1997, it has now become a go-to DAW for countless creative music makers.

However, just like with any great piece of software you find in 2021, you might have some performance issues due to certain compatibilities or just inadequate hardware components of your computer.

If this is the case with you and FL Studio don’t worry, you’re not alone in this.

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If something is running slow, or just not as fast as it is supposed to, there’s always a solution.

With this being said, let us look at the different ways on how to make FL Studio run faster.

And if you still can’t make FL run smoothly, maybe it’s time to buy a new laptop. We have a very good comparison and review set on the best music production laptops on the market today.

Monitoring your CPU

The first thing you need to do is to check out the CPU load directly in the FL Studio.

In the top screen of the FL Studio, you’ll see a small window tracking down CPU usage and RAM memory usage.

In case any of these values are getting too high, it means something’s not right.

Symptoms might include unwanted clicks and glitches in the audio. If you’re experiencing poor performance or any other issues, keep your eyes on the memory and CPU usage window.

Configuring audio settings for FL Studio

Poor performance sometimes might be due to the inadequate settings for the hardware you have.

For instance, if you set the buffer size to the minimum, or somewhere close to it, but your computer can’t handle it, you should consider raising it to the spot where it stops being an issue.

The bigger the buffer size, the easier your computer will respond to all the things going on in the program.

However, a larger buffer size increases latency, which can be an issue with the real-time instrument or vocal recording.

In case you’re not doing any kind of recording but just mixing, there’s no need to keep buffers at a lower level. But if you’re recording, try and find that sweet spot that doesn’t make it impossible for you to perform and that still allows normal operation.

For this, you’ll need to go to Options, Audio Setting, and then select the “Asio4ALL” or “FL Studio Asio” in the “Device” menu.

You can increase the buffer length to where it works best for you. Try and set the sample rate to 44100 Hz and the “Priority” to “highest.”

There are a few other switchable options in the audio settings, including the “Triple buffer” and “Mix in buffer switch”. Try stitching them on and off and see if there’s any change in the overall performance. If nothing happens, set them back the way they were.

Enable the “Smart Disable” feature in FL Studio

Another option you’ll find in the Audio Settings is the “Smart Disable” feature.

You can then enable it and go to Tools Menus, Macros, and then select the “Switch smart disable for all plugins.”

This way, all the instruments and effects plugins will be turned off when they’re not making any sounds. Depending on the type of project, this feature can significantly decrease your CPU usage.

You should also know that the Smart Disable feature is only active during playback. It will be disabled during any rendering.

Look at how many channels are you rooting in the FL Studio mixer

What you also need to be paying attention to is the number of channels you’re routing to in the FL Studio mixer. The larger the number of channels, the higher the chances that CPU load will rise faster than usual. In order to prevent this issue, you might want to plan everything out in advance before starting a project.

Look whether your plugins are 32 or 64 bit

Whenever you’re using any kind of plugins in the FL Studio, it is important to see whether they are the correct VST version.

For instance, if you have a 64 bit FL Studio version, then you should use only 64-bit versions of VST plugins.

Using the 32-bit plugin versions on the 64 bit FL Studio, there’s a high chance your CPU usage will skyrocket. This is because your computer will need to adjust to the same version. This whole process is referred to as “bridging.”

Check whether your CPU is running at full speed

There are also things you need to check outside of the FL Studio itself.

For instance, you might have a certain power saving setting on that is preventing your CPU from running at its full speed.

If you’re using Windows, then open up the settings (can be accessed via Start menu), go to the Control Panel, System and Maintenance, and then select Power Options. You should then select your power management to the “High Performance Mode.” If you’re using a laptop, always make sure that you’re plugged in and not running solely on the battery.

As for macOS, go to System Preferences, then Energy Saver, and then find the “Computer Sleep” slider and select it to “Never” mode.

Or, instead, you can check the box labeled as “Prevent computer from sleeping automatically when the display is off.”

There are a few other power-related features in the settings that might help you use your computer’s full CPU potential.

Final Thoughts

We hope this guide has helped you in making FL Studio run great. If you still encounter issues with your studio, maybe your laptop is too old and needs an upgrade. In this direction, we would like to point you in the right direction, to our article on the best music production laptops on the market in 2021.

Best Rent-to-own VST Plugins

EDITOR’S NOTE: Looking for a summarised list of best rent-to-own VST plugins? Check the table below, with our selection of the four best rent-to-own services. Also please note that this list is constantly updated so bookmark it for later reference.

If you are on a mobile device, please scroll left and right in the table to see all the entries, and up and down in the cells to see all the content.

Name Plugins Included Cost per month Our Rating
Editor’s Value Choice
49 plugins on offer. Including: Serum, Ozone 9, Arturia, Studio 1 Professional. Starts at 4.99$ per plugin.
Option for a free 3 day trial.
4.7/5
Landr Rent-to-Own Lethal Synth
Auto-tune
9.99$ 4.1/5
CHECK OFFER
First month FREE!
Weekly sound packs
70+ instruments and effects
19.99$ 4.6/5
Over 200 waves plugins. to choose from.
You will NOT OWN them at the end, you have to keep paying to access them.
6.99$ for 16 plugins.
9.99$ for 42 plugins.
19.99$ for 60 plugins.
4.9/5

It’s really fascinating when you think how easy it is today to make your own home studio and be able to make solid music with it. What’s more, you can even set up a mobile studio with your laptop and an audio interface and take it anywhere with you to either record or just make your music. It’s something that opens up new possibilities and was unimaginable back in the old days.

What’s also great is that you can even rent different plugins by using some handy services today.

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In this brief guide, we will be taking a closer look and explaining how so-called “rent-to-own” plugin services work, as well as some great products that you can get on them.

Rent-to-own VST plugin system

The whole idea is to have a service and a system that will allow you to rent plugins for a certain monthly price. But, as the name of this concept would suggest, if you rent these plugins long enough to pay for their full price, the product (or, in some cases, a bundle of multiple products) is yours.

It’s the same principle we see on the housing market when you rent a home for a while, see if it fits your needs, and decide if you want to keep paying for it until you pay off the full price. You can just cancel any time you want.

What’s really useful here is that you no longer need to deal with demos and all the annoying features that come with such them.

And you don’t have to buy a full version after 30 days only to realize that you don’t really like this product 3 months after paying the full license price. Is there a plugin you think will help you in your creative endeavors? Try and rent it for a few months and see what the full product with all of its features is like.

If you think you’ll need the plugin in the longterm, you can keep renting it until you pay off the full price. If you need it for some smaller tweaks and adjustments in a few of your songs, then rent it for a month or two.

It really is that simple.

NOTE: Waves had a rent to own service but it has been discontinued. Instead, they made it cheaper but removed the “own” part, so that you perpetually pay for the subscription.

There are usually no extra charges and you pay around the same price in the end as you would for the plugin on the creator’s website. The plugins you can purchase via these services can be effects, synths, or any other different products, sometimes even entire Digital Audio Workstations.

It’s especially useful if there’s a pricy plugin that you set your eyes on but can’t afford to pay the full price upfront. All of the best vst plugins, the ones used by the pros, are now available for anyone with a few extra dollars per month.

With all this in mind, we’ll now go into some of the rent-to-own plugin services that you can find online.

VST plugins

Splice is one of the most famous services of this kind. On there, you can also buy royalty-free samples, get your hands on some of the plugins in the rent-to-own section, or even buy DAWs. Splice can either be used in the browser or via their specialized desktop app.

This app allows you to open project files of a few different DAWs: Logic Pro, Ableton Live, GarageBand, or FL Studio.

It also comes as an extremely useful service for collaborative projects, serving as sort of a GitHub for musicians. The rented plugins can be used in individual DAWs or within the app.

Whether it’s plugins or any other services that they offer, you can purchase them with Splice credits. There are four pricing models for buying these credits, going from $7.99 per month up to $139.99 per year.

At the moment, there are 49 plugins and DAWs to choose from. The list includes Ozone 9 Advanced compressor and EQ, Serum synth, Punchbox distortion and synth, and others. Some of these made our best vst synth list.

Here are some of the plugins on offer at :

Plugin NamePlugin Maker
1. SerumXfer Records
2. Ozone 9 AdvancediZotope
3. VocalSynth 2iZotope
4. Nectar 3iZotope
5. Neutron 3 AdvancediZotope
6. V Collection 7Arturia
7. Studio One ProfessionalPreSonus
8. Ozone 9 + Neutron 3 AdvancediZotope
9. Decimort 2D16 Group
10. MOVEMENTOutput
11. PigmentsArturia
12. RX 7 StandardiZotope
13. PunchboxD16 Group
14. Neutron 3 StandardiZotope
15. Toraverb 2D16 Group
16. Devastor 2D16 Group
17. Ozone 9 StandardiZotope
18. Ozone 9 + Neutron 3 StandardiZotope
19. Circle²FutureAudioWorkshop
20. ZoneAudiaire
21. Regroover ProAccusonus
22. ParallelsSoftube
23. BeatformerAccusonus
24. D16 FX BundleD16 Group
25. NuxxAudiaire
26. TekturonD16 Group
27. AntresolD16 Group

Biggest Upcoming Competitor: Plugin Alliance by Native Instruments 

It definitely doesn’t have the wide range that Splice does, but did you know our friends at Plugin Alliance now offer three rent-to-own plugins, including an EQ, mastering software, and more? 

Why are we excited about this? 

For starters, these are great high quality plugins and it’s fantastic that PA is making them more accessible In addition, they are included as part of PA’s bundles, so there are multiple ways of paying for them if you decide the ren-to-own model isn’t ultimately for you. However, PA has a staggering variety of plugins and what we’re excited about is if this means they are going to start offering MORE OPTIONS on the rent-to-own model. Truly, this could be the start of something new, so BOOKMARK THIS PAGE to stay updated as we are keeping an eye out for any of their other plugins that they may add to their rent-to-own scheme. 

CHECK THEM OUT HERE FOR ANY EXCITING UPCOMING NEWS.

Landr Rent-to-own VST Plugins

With Landr, you can try out plugins and other products for 3 days completely free of charge. But the platform is also very well-known for its different trap beats and samples and also allows collaborative projects, kind of similar to the Splice model.

Their main plugin offer is a synth called Lethal. This is a very versatile synthesizer plugin with around 50 GB of different sounds (with all expansions included), presets, and samples.

The monthly rent-to-own price is $9.99 and you can stop it or cancel it at any time. Although it’s aimed for trap sounds, it comes really in handy for other genres as well. With Lethal, you can get any of the 24 different expansions, each specified for a certain style of music. These expansions, however, are charged separately.

On display is also a very nifty auto-tune effect. You can get the Landr Rent-to-own on their website by clicking here.

Apogee Native rent-to-own plugins

We’re very pleased to shout out about the APOGEE NATIVE range of rent-to-own plugins. 

We’re listing this next to LANDR because if you like the look of Landr’s versatility and expansion pack variety, you’ll love APOGEE NATIVE. 

What does it involve? 

The biggest plus of the APOGEE NATIVE range is that it includes versatile, one-of-a-kind plugins that you don’t really get elsewhere. If you want something a bit outside the mainstream, this is the option for you. 

The rent-to-own scheme applies to its vintage/modern FX bundle as well as Clearmountain Phase (flanger/phaser) PULTEC Equaliser, Opto3A vintage compressor/limiter, and many more unique sounding FX at accessible prices! 

CHECK OUT THEIR SHOP HERE.

This one is new and interesting for most old-school producers like myself. Oh, Reason! We loved you, but now we don’t because we all love Ableton now. Reason was the… reason we started. It had all the flexible routing that we need, and the workflow that suited us best until something better appeared.

We know Reason is back, and with a vengeance. If you already own Reason software, you will get 50% off the first year, which is great. For 19.99 per month you get not only plugins, but also the Reason stand-alone DAW and Reason Rack. Reason Rack is a plugin host (VST/AU/AAX) that you can insert into your own DAW of choice to access the main contents of this pack, which are 70+ plugins plus a lot of sound packs. These sound pack are always new and interesting and are updated weekly.

The 70+ plugins contain all the stuff that Reason has ever made! Also, you will get access to everything that Reason will make in the future. The Reason+ companion app will automatically give you the recent updates, for both devices and sample libraries. And if you are not sure, you get the first month free of charge!

Waves.com is a service that sells an abundance of different plugins. There are over 200 plugins for any kind of studio work that you need: effects, synths, distortions, even specialized professional-level guitar plugins. Waves VST plugins are top class, trusted and recommended by almost everyone in the industry.

Even if the service does not end with a full ownership of plugins, it is still worth noting on the list.

These plugins and different software can be bought in bundles. There are three basic subscription models for bundles. Depending on the number of plugins that you want, they offer a Silver, Gold and Platinum package.

If you feel that first you want to try music production with free products and then move to rent professional VST plugins, we have an extensive list here.

Of course, you can just cancel any time before the subscription period ends and you’ll be charged for the last payment at the end of the billing cycle. What’s really great is that there are literally hundreds of plugins to choose from.

You can also buy different product bundles straight away if you don’t feel like taking the subscription.

Aside from these, Waves offer different educational courses, digital mixers, racks, and even some specialized hardware products.

Final Thoughts

How do they all compare? 

With the 2023/24 updates, we would say Splice, Plugin Alliance, Reason, and APOGEE NATIVE are the best options on this list for scope and versatility. 

Ultimately rent to own is about the freedom to not have to make too much of an investment; ultimately, or top picks are the ones that balance ariety and range with affordability and accessibility. 

To sum up:

So why consider rent to own if you haven’t already? 

Investing in a good set of plugins for your music production setup can really have an impact on your sound. It used to be the case that the premium VSTs such as the ones sold by waves were only available for the professional studios, but fortunately along with technical innovation, plugin companies have been investing in business model innovation.

The results are great for the bedroom producer. You can now go pro for only a few bucks a month. We hope this article has helped you choose a rent-to-own service. If you have any other suggestions, please leave them in the comment box below.

Loopcloud Review- The Sample Manager of the Future

Brighton-based sound design record label Loopmasters has been operating successfully in the music samples market for over 1 decade.

Recently, they have released Loopcloud 4.0, a music program that allows users to organize, browse, and edit their sound libraries while also having access to Loopmasters’ 3.5 million-samples collection.

We’ve decided to give this software a try to see if it can improve our sampling workflow.

But before we go into the review, please click the button below if you’re curious about what this software actually looks like:

Loopcloud Features

Loopcloud

Maker: Loopmasters
Our Rating: 4.7/5
Features:


– Free plugins and samples included in each plan
– Cloud-based sample management
– Intelligent tagging, bpm, and scale mapping
– In platform sample editing
– Drag and Drop samples into DAW – Free plugins, such as a drum sequencer.


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Loopcloud’s interface is quite simple. The sounds are be displayed and a player is included so you can preview them.

Additionally, you have access to an editor that will allow you to change the original samples using a different set of audio tools.

You can edit the pitch, cut, paste, copy, and even mute certain selections. There are also some pattern presets you can use to radically transform your sounds with the click of a button.

This means you can have your samples song-ready even before making changes and corrections in your DAW. 

After playing with the software for a little, we have realized that the modus operandi that better fitted our workflow was to have Loopcloud’s stand-alone version open while simultaneously working in a DAW.

After choosing and editing the samples, it’s easy to simply select the sound and drag it directly into the session. It works particularly well with Ableton Live.

Loopcloud will give you access to an ever-growing database of over 25,000 royalty-free samples that you can use in your productions right away.

To install Loopcloud, you need to be registered on the Loopmasters website. The software’s demo version is free, but if you wish to continue using the program you need to sign-up to a subscription plan.

The monthly prices range from €6.99 to €19.99, depending on the number of points you wish to receive. The cheapest plan – Artist – will grant you 100 points that can be used to buy samples from Loopmasters.

Loopcloud vs. Splice

Loopcloud is not the only sample organizer software in the market, with Splice‘s inventive sample program, called Sounds, being its best-known competitor.

Splice Sounds

Maker: Splice
Our Rating: 4.8/5
Features:


– Millions of samples, loops, FX, and presets
– Cloud-based sample management
– In platform sample editing
– Drag and Drop samples into DAW


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Software: Loopcloud is better. Their interface can be slow sometimes, especially if you’re working with a low-powered laptop, but unlike Splice’s software, Loopcloud will organize every single sample in your computer, and it will automatically generate tags that fit each of your sounds.

There are BPM and scale mapping, of course, but there are also some more interesting and intelligent auto-tags, such as ‘Loops’ and ’16th Triplets’.

With Splice, you can only organize and browse through the sounds you got/bought from Splice.

Samples: Loopmasters collection doesn’t lack quality but it’s short on variety. In the Loopmasters sample library, there’s a clear approximation to EDM production and a bigger emphasis on loops.

Splice, on the other hand, offers a great level of sound variety and a huge depth of unique and high-quality short sounds.

If you’re not the kind of producer that likes to have to extract a kick from a loop every time you want to make a downbeat, then maybe Splice’s impressive one-shot collection’s better for you.

Price: Loopmasters used to be non-subscription based, but its commercial approach changed into a subscription plan just like Splice’s with version 4.0, so there’s no difference between the two at this point.

Final Thoughts

If you’re an artist producing 10-20 tracks per month on a highly demanded studio, buying a Loopcloud subscription will be great for you!

You will have permanent access to every type of high-quality samples you can think of, and you will be feeling especially happy in case you’re producing tracks within the electronic dance music genres.

However, if you’re just a beginner producer or an artist with a regular 20 tracks per year output, you should probably look for less expensive ways of sorting out your sample library.

The Internet is filled with royalty-free samples that can be downloaded for nothing, and the built-in browser organizers of DAW’s like Ableton Live and FL Studio (FruityLoops) are getting better and better with every new version.

Try to focus on the samples you already have, and in case you feel like you don’t have enough, download/buy one or two sample packs that you really like instead of investing monthly in new samples you will probably never use.

Unless you have the recurrent demand for about 100 new samples every month, maybe it’s better to save a Loopcloud subscription for later in your career.

However, please keep in mind Loopcloud’s an amazing piece of software, and we consider it to be the best sample organizer/browser in the market. We’re not big fans of the new paid subscription plan but we’re impressed by how intuitive and easy to use the program is.

The BEST Online Music Production Masterclass Course

Investing in an online music production “masterclass” course is one of the best decisions you will make this year.

This might seem like a pretty bold statement, specially for those of you who have previously tried free courses or dabble around some youtube videos on production, but it’s the truth: Knowledge is more important than any piece of gear in your studio. Furthermore, enrolling in one of the below courses is nothing like doing a free course or watching youtube videos.

These online music production masterclass courses allow you to follow a tried and tested structure devised by top producers and engineers, plus incentivises you to follow through, as you have money invested.

Anyways, if you’re looking for a summarised version of this article, check out the below table with our favorite online music production courses, including our very own choice for the best online music production course. And if you are also looking for a music production laptop, we have a comparison and test article with the top models here.

Note: if you are on a mobile device, scroll left and right in the table to see all the entries, and up and down in the cells to see all the content.

Summarizing Table

Course Name Cost Duration Main Focus Our Rating
Editor’s Choice – Best Value
Starts at under 50$
– Over 20 000 hours of video,
– Over 20 books.
– Workflow,
– Plug-Ins + DAWs,
– Recording,
– Production,
– Mixing + Mastering.
9.5/10
Starts at under 20$ / month or under 100$ total
– 6 hours of video,
– Assignments
– Electronic Music Production,
– Synths,
– Music Business,
– Mixing and Mastering,
– Workflow.
9.3/10
Starts at under 20$ / month or under 100$ total$
– 4.5 hours of video – Film Scoring,
– Soundscapes,
– Composing,
– Industry, and More.
8.7/10
Starts at under 20$ / month or under 100$ total$
– 3 hours of video – Hip-hop Production,
– Beat Making,
– Inspiration and Workflow,
– Industry and Motivation.
8.5/10
Point Blank Music School Online
Under 150$
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– Huge subject diversity
– Mixing/Mastering
– Dj
– Music Business
9.6/10
Under 150$
– 38 hours of video
– each DAW has it’s own course
– other specific topics have dedicated courses
9/10
EQ Fundamentals
Under 50$
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– 2.5 hours of video,
– PDRs,
– Assignments
– EQ,
– Mixing + Mastering,
– All Musical Genres
9.2/10
Under 150$
– 16 weeks – Electronic Music Production,
– Vocal Recording,
– Ableton Live.
9.3/10

What’s so good about Groove3 and why is it our editor’s choice? For starters, it’s simply a great all-rounder beginner course and, as evidenced by the course reviews, has helped many musicians cut their teeth in production. 

The curriculum is varied, the pricing is low, and it focuses on pro-quality video lessons in comparison to many lower-quality user-made courses on sites such as Udemy and Skillshare. 

The best part is that it lets you learn at your own pace and in your own style due to the variety and flexibility of it’s content. This is not simply a walk-through, step-by-step course. One small downside is it is not as ‘official’ as some others – there is no qualification at the end, for example. However, it is a fantastic course overall, so read on for a breakdown.

  • Music style: All
  • Financial Investment: Low
  • Duration: Over 20 000 hours of video + over 20 books. 1 077 Courses 17 979 Individual Tutorials.
  • Main DAW used: All DAWs available.
  • Our Rating: 9.5/10
  • Skill Level: Beginner / Intermediate / Advanced
  • Certificate upon completion: No

PROS:

  1. High quality of content
  2. Content available on all formats and platforms: Video, books, Desktop, iOS, Android, Apple TV, Roku.
  3. Very affordable on a month-to-month basis
  4. High quality instructors
  5. Most comprehensive library of learning resources

CONS:

  1. Lack of focus
  2. Can be overwhelming

We’ll start with our favorite online music production course: . What an absolute gold mine of music production knowledge.

If you watched all of groove3’s videos back-to-back you’d take over 2 years to finish, probably much more, given that they update the content regularly.

There are tutorials on all topics you can imagine, including all DAWs, Plugins, and musical styles. If you search the forums, it’s often mentioned as a student favorite, along with some of the masterclass courses we’ll review below.

When it comes to price, an all-access pass costs only 89$, with . This represents without a doubt the best value of all courses.

We’ve found this to be a great way to stay focused for idle studio time. Simply browse around their website, find an interesting video, watch it, then apply it to your current project.

Do you want to learn from the pros? If you’ve heard of electronic music, you’ve heard of Deadmau5.  That’s right, Deadmau5’s Masterclass Course was actually the first course we’ve had a chance to review. 

Electronic mixing is an art not a science. On the website MasterClass, designed to let you learn from professionals in their field, Deadmau5 goes deeper than just production and shows you how getting to the beating heart of EDM lets you emulate his distinctive, crisp sound. 

Over six hours of tracks cover melody, composition, and the creative process plus how these areas intersect with production. This learn-from-home course is designed to inspire and delight both fans and those who want to break into EDM, and truly doesn’t disappoint.

  • Music style: EDM / Electronic
  • Financial Investment: Low / Moderate
  • Duration: 6 hours of video + assignments
  • Main DAW used: Ableton, though teachings can be applied to any DAW.
  • Our Rating: 9.3/10
  • Skill Level: Beginner
  • Certificate upon completion: No

Pros:

  1. Very entertaining, huge production value. Very easy to follow through with the teachings.
  2. Very well-rounded. All major topics are discussed (mastering, mixing, synths, drums, music business, live performance, and more).
  3. Composed of videos, assignments, and discussions.
  4. Great community if you’re willing to engage.

Cons:

  1. This 6 hour course will set you back 90$. It’s not a cheap course by any means, but we found the cost/quality relation to be quite good.
  2. It’s a short course. It could benefit from going more in-depth into certain topics.

Course Structure

The course has 23 lessons, all delivered through video classes. It also has assignments and discussions.

The classes touch upon the following topics:

  • The Deadmau5 Production Process
  • Building Your Home Studio
  • Melodic Structures
  • Arrangements
  • Synthesized Sounds
  • Modular Synths
  • Digital Vs. Analog Synths
  • Sound Design with Effects And Processing
  • Drums / Beats
  • Song Structure
  • Remixed
  • Mixing
  • Mastering (includes case study)
  • Starting a Career
  • Music Business
  • On Stage Performance

Our Thoughts

Overall, this is a solid and very well rounded online music production masterclass course. It won’t hold your hand and automatically offer you a career in audio engineering or music production, but if you follow through with all the tips shared, your chances of making it will increase exponentially.

Furthermore, if you take your time to network and reach out to the community, you’ll likely make some useful connections out of this online music production masterclass course.

This is a great course for anyone looking for a well-balanced course on electronic / pop / hip-hop / digital music production, with no specific focus on any are of the music production process, but rather a wholistic approach. It gives you a framework, the one used by deadmau5, to produce a song. It is not a case study, i.e- it won’t show you how deadmau5 produces a song from scratch, but it will show you every single step of the process. We recommend to people that are starting out and want something a bit lighter (shorter) and more fun.

Up next is Hans Zimmer’s online music production masterclass course.This is more niche than some of the courses on this list; it’s specifically for audio professionals – or beginners – interested in the creative production process behind film scoring. This is another option from the great distance-learning site Masterclass, and works as an excellent resource for insight into how to produce film scores. 

There is one downside which we go into more detail later – there is not that much cohesive focus on a step-by-step set of skills. Instead, it is broken up with highlights of Zimmer’s work as a composer. However, it is still a very good course for producers of any skill level.

  • Music style: Film Scoring / Soundtrack / Sound Design
  • Financial Investment: Low / Moderate
  • Duration: 4.5 hours of video + assignments
  • Main DAW used: N/A.
  • Our Rating: 8.5/10
  • Skill Level: Intermediate

Course Structure

  • Themes
  • Story
  • Directors
  • Sound Palettes
  • Creating with Synths
  • Scoring to Picture
  • Scoring Under Dialogue
  • Tempo
  • Music Diary
  • Character
  • Case Study: Frost/Nixon
  • Working With Musicians
  • Feedback & Revisions
  • Audience Feedback
  • Writing Tips
  • Hans’ Journey
  • Learning by Listening
  • Life of a Composer
  • Closing

Our Thoughts

This is a very interesting course. The simple fact that you get to hear Hans Zimmer talk in first person about stuff that he has never revealed on interviews is worth the cost of the program.

However, we found the structure a bit random.

As we mention above, the structure isn’t for everyone. Unlike deadmau5’s course, this program kind of jumped around topics, with one class being solely about Hans’ career and progression in the industry. To be honest, if we wanted to learn about that, we could just check one of the hundreds of interviews that he’s given.

Having said that, there are loads of golden nuggets there about his process, inspiration, and process. It is packed with loads of synthesiser tips as well as general aesthetic in sound design.

Timbaland Masterclass Review: BEST Hip-Hop Music Production Course

To finish off our selection of Masterclass courses, we’ll have a look at Timbaland’s online music production course. Hip-hop can be a challenging genre to produce because of the amount of skill invovled across diferent areas, from melody, unbderstanding of software, and subtler technique. A proper round-up of the best online hip hop production courses could be an article of it’s own. 

Hip-hop history is also more technologically innovative than many genres, from killer sampling that has gone down in legend to the invention of the DJ scratch. However, despite this legacy, it doesn’t take a lot to get started and this course shows you how to investigate the more pop-oriented end of hip-hop.

  • Music style: Hip-Hop / Pop
  • Financial Investment: Low / Moderate
  • Duration: 3.5 hours of video + assignments
  • Main DAW used: Ableton
  • Our Rating: 8.5/10
  • Skill Level: Beginner / Intermediate

Course Structure:

  • Studio Session: Making a Beatbox Beat
  • Building Beats: Tim’s Process
  • Making a Beat: Getting Warmed Up
  • Song Origins: “Dirt Off Your Shoulder”
  • Making a Beat: Starting With a Chord Progression
  • Making a Beat: Tweaking and Layering Drums
  • Song Origins: “Pony”
  • Making a Beat: Manipulating Vocal Samples
  • Making a Beat: Creating a Breakdown
  • Song Origins: “Gossip Folks”
  • Making a Beat: Adding a Topline
  • Song Origins: “Are You That Somebody?”
  • Tim’s Influences
  • How to Persevere

Our Thoughts

Despite how important technical skills can be in hip-hop production, we found this masterclass to be the least technical of all online music production masterclass courses reviewed. Perhaps on purpose, as Timbaland’s production process seems to be based a lot around feeling, leaning on his team to fill in the more technical gaps. However, this does mean it’s a very accessible and simple course for beginners that gives you the confidence to begin producing from your bedroom. Plus, the way it takes you from making beats to creating a whole song makes it a great breakdown on the process.

We still found it very useful and inspiring, with some pretty straight forward but useful tips such as thinking about drums through beatbox.

His team of “co-producers” also share some gems on drums layering, chord progression, beatmaking, and more.

If you’re a hip hop head, you’ll love this course. You’ll learn about how Timba produced hits for Missy Elliot, Jay-Z, and others, as well as some inspiring tips on how to succeed in the industry and production studio. If you’re not a hip hop nerd, then you might find it not that inspiring. Though we still recommend purchasing it as part of the masterclass bundle of classes.

Point Blank Music School Online

If you want a qualification with your course, then this is the one for you. Point Blank is an award-winning, well established English music school, which has opened its expertise to the online sector. If you want a serious, life-changing course for a music career in production or sound engineering, you can’t beat it. The sheer diversity of courses that they offer, including Music Business courses, is practically unmatched. This Online Music Production Masterclass Course set is both formal and fun due to its interactive elements.

  • Music style: None in Specific
  • Financial Investment: Medium-high
  • Duration: Depends on the subject of choice.
  • Main DAW used: Ableton
  • Our Rating: 9.5/10.
  • Skill Level: Intermediate-High

The “Online” courses of Point Blank Music School are actual real-time/live lecture by teachers, customised to you as a student. You get to ask questions and interact with your teacher via webcam. Each course thus has it’s own structure.

Our thoughts:

So, this is clearly something different. There are no pre-recorded sessions, like the others, which also explains the high price point in comparison. Essentially, this is an online degree at a virtal university and courses do, in fact, go up to bachelor degree level. As a drawback, this means you have to enroll like you would to a school. The only difference is that  that the school location is your home, if you cannot access the offline schools Point Blank Music School has running in London, L.A., Mumbai, Ibiza and China.

We feel like this product is for the more advanced music production, since asking questions is key here.

If you feel like you have run out of material to study on your own and feel like it’s time to get 1:1 with a teacher who can guide you further then look no further and click the button below to access the Point Blank Music School website.

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Producertech EQ Fundamentals Review

Producertech is a well established music course provider,founded in 2009 by Rob Jones. All their content is high-quality and on demand with clear care and effort put into it. However, f all their online music production courses, EQ fundamentals is one of our favourites. Although DAW knowledge is often transferrable depending on your skill level, what makes this course stand out is it is actually one of the best online music production courses for Ableton specifically.

Here’s why:

  • Music style: None in Specific
  • Financial Investment: Low
  • Duration: 2.5 hours of video + assignments +
  • Main DAW used: Ableton
  • Our Rating: 9/10.
  • Skill Level: Intermediate

Course Structure:

  • Introduction to Frequencies
  • EQ Controls 
  • EQ in Isolation
  • Frequency Demo #3 – Combining the Piano and Sine Wave 
  • The Frequency Spectrum Explained
  • EQ with respect to other parts
  • EQ’ing Drums 
  • Common EQ Practices
  • EQ’ing Kick and Bass
  • EQ on the Master Channel
  • EQ In The Mix

Our thoughts:

This course is, in our opinion, a must-do for all aspiring producers. Having a solid grasp of EQ can be the difference between an amateur-sounding song and a commercial-grade end product.

Producertech’s EQ Fundamentals online music production masterclass course will give you the foundation you need to make clean sounding mixed, at a very accessible cost (25$).

It doesn’t have a rock star teacher or cover 10 different topics, but that is, in our opinion, a strength. There is no magic pill that will make you a successful musician. Instead, the path to success is continued investment in small courses on different topics. Simply put, this is the best specialist course to learn how to EQ online. This laser focused course will give you a very complete foundation on one of the most important skills in the game: EQing.

It also comes with the EXPOSE software, which allows you to “test” your final mix for any potential issues. We were positively surprised by the production quality of the course. Here’s a sample video from the course:

In addition it’s one of the best places to learn to use Ableton if you’re not familiar with the popular alternative DAW. There is a special focus on bass and kick mixing, thus making it slightly more relevant to electronic, hip-hop, and pop producers, though it really suits any kind of music style.

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Berklee’s website claims you can learn in your own time and create your degree online, meaning even though it is one of the most famous music schools in the world, you don’t have to follow strict rules. This institution is a pioneer in online music production courses, having started in 2002! They still are an industry leader and offer the most formal, academic  type of education you’ll find in this list. Yes, you can teach yourself music production online. However, if you want a really good academic course that gives you a degree, this can’t be beaten. 

  • Music style: Electronic
  • Financial Investment: Moderate
  • Duration: Around 6 months (4 hours / week recommended)
  • Main DAW used: Ableton, though teachings can be applied to any DAW.
  • Our Rating: 9.5/10.
  • Skill Level: Beginner / Intermediate
  • Certificate upon completion: Yes

Course Structure:

  • The Technology of Music Production
  • Introduction to Ableton Live
  • Creating Sounds for Electronic Music
  • The Art of Vocal Production

Our Thoughts:

This is a solid course for students looking for a serious commitment and some degree of credibility. It teaches all the theoretic background + gives you a solid foundation in ableton production and recording / mastering vocals.

If you’re looking for some credibility in the industry, the Beerklee is something to stick in your CV that can also teach you some good theory.

However, there are more advanced and complete courses in this list in terms of knowledge.

Finally, one of the main advantages is that coursera offers financial aid to certain students.

All in all, it is pretty inexpensive, at 39$/month, and if you’re feeling motivated, you can knock it off in a couple of months, getting a “mini” degree for a very affordable price.

Next up, we have a couple of Udemy courses. Udemy allows users to upload their own courses to teach the world their skills. The website has a mixed bag, so we’ve included several. We can’t fully say what is or isn’t the best Udemy music production course – but this is a good breakdown. We’ll start with probably the most popular music course in the platform, “Music Production in Logic Pro X”.

Udemy has a lot of online music production course programs on it’s website, they mostly have a similar structure to the Logic X one which is our reference.

This course was developed by Digital Music Masters, a well-established music school.

  • Music style: None in Specific
  • Financial Investment: Low
  • Duration: 38 hours of video + articles and resources
  • Main DAW used: Logic Pro X
  • Our Rating: 9/10.
  • Skill Level: Beginner / Intermediate

Our Thoughts

This is mostly for those more advanced. What we like is that you can just pay for one “topic” and not buy the whole online music production masterclass course package like with the others. Thus, it’s more of a specialized music production course, in the same way that ones aimed at skills like EQ or reverb are. You just get to Udemy, shop for what you want to know and that’s it. 

These courses are mostly focused on DAW workflows, with some specific items covering hardware gear like the Maschine and others focusing on specific sub-genres like music for games. All in all, we think it is good product if you just want to fill some specific empty spaces in your skill arsenal.

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Final Thoughts

We hope that the above suggestions help you kickstart your music production career/hobby. It may seem daunting to teach yourself music production online and that’s why we recommend courses to make things easier and give a more comprehensive view of what a killer mixing and mastering process looks like. Honestly, all of these have made the list because they are worth your investment in both time and money.

This article is in constant update as we try new courses, so if you have any recommendations, please post them below in the comments section!

Propellerhead announces Reason 11 with Reason Rack as VST

As we had been predicting, Reason 11 was just announced and it features one of the most requested feature: Reason Rack as VST plugin.

On a release date Reason Rack will be available as VST3 plugin only. AU support will come later in 2019.

Reason Rack comes as Instrument VST3 plugin and Effects VST3 which allows processing your audio signals with Reason devices.

Within Reason Rack we can now use Rack Extensions but there’s no VST plugins support inside Rack. Which is a bit strange as some other mega-VSTs (like Maschine) allow hosting VST plugins inside VST plugin.

Rewire is now discontinued and is not supported by Reason 11.

With Reason 11 Propellerhead intros Reason 11 Suite which includes all the Propellerhead Rack Extensions: Scenic Hybrid Instrument (new one), Complex-1 Modular Synth, Umpf Club Drums, Umpf Retro Beats, Reason Electric Bass, Reason Drum Kits, Processed Pianos, Layers Wave Edition, Layers, Parsec Spectral Synthesizer, Radical Keys, Polar Dual Pitch Shifter, Rotor Rotary Speaker, PolyStep Sequencer, Quad Note Generator, Drum Sequencer.

Reason Rack as VST takes Propellerhead to a completely new route. One of the weakest parts of Reason was weak sequencer and no tracks freeze. Now with the ability to host multiple Rack plugins users can choose any favorite sequencer – Ableton Live, Studio One, Logic, Cubase, FL Studio or even Maschine (next software update of Maschine comes with VST3 support).

For some reasons Reason Rack doesn’t support AU from its first release which makes me hope they will make a universal AU – version for Mac and iOS.

There are still few open questions that might be answered after playing for some time with beta: how devices inside Rack can be automated, what parameters will be reported to the host? is Rack multi-output VST plugin? how is the performance of the new plugin? how good is plugin delay compensation reporting?

There also bunch of new devices that come with Reason 11:

Sweeper Modulation Effect – a flanger, phaser and filter device

Quartet Chorus Ensemble – Chorus/Ensemble effect

3 devices from SSL mixer: Channel EQ, Channel Dynamics and Bus Compressor (Bus compressor is a really cool one – I was waiting it as a RE for a long time)

How to use Reason Rack in Logic?

Logic supports only AU plugins and Reason Rack won’t support it in the first version.

There are multiple options on how to host VST plugins in Logic with plugin wrappers:

  • Kushview Element – free wrapper plugin
  • DDMF Metaplugin
  • Maschine (sounds a bit weird but you can run Maschine inside Logic and open VST plugins inside Maschine)

Conclusion

It is a great revolutionary update. For me Reason Suite is a no-brainer deal – I’ll upgrade on day 1 and I can’t wait to have all my favorite synths and effects from Reason as separate instances of Reason Rack inside Ableton and Cubase.

As people would be able to use their favorite sequencers, they might be stop requesting Reson sequencer improvements but ask for other important features that Reason lacks, like better sampler (NNXT makes me feel like I’m in 1999, not in 2019), iOS support for Reason Rack and more rack extensions.

I hope that Reason Rack will bring much more people to Reason platform and more developers for Rack Extension platform.

Loopcloud Drum – New Free Drum Plugin by Loopmasters

Loopcloud Drum is a new free plugin that features 16 pads for drum/samples, built in sequencer and effects.

We have written about loopcloud before- It’s a great piece of software to store all your samples and organize your library and production workflow in the cloud.

It comes with ready to use kits from some very popular producers including Audiojack, Evil Needle, Maribou State, Justice, Timo Maas, Phaeleh, and many more.

The coolest feature of a new plugin is of course integration with Loopmasters sample libraries/Loopcloud.

Here’s a quick look at what the interface and main features look like:

It also comes with loads of preset patterns, making it possible to get some very high quality drums with just a few clicks. If you’re looking for a simple solution to adding high quality drums to your instrumentals, look no further.

There is a focus on electronic / EDM beats, but you can really find most styles present in their sound bank.

The best part? It’s absolutely free.

Have you tried this piece of software? Let us know what you think in the comments below!